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It’s exhausting to mention if the younger goth — an outcast in a sea of real-life outcasts, starting from sirens to werewolves, at Nevermore Academy — is being critical or simply comically exaggerating her disdain for colour. However, for the display’s dress dressmaker Colleen Atwood, this used to be the start line to embed the nature’s taste with items that problem collective assumptions about Wednesday Addams, a morbid personality that first debuted within the New Yorker‘s comics collection in 1938, later growing right into a TV sitcom in 1964 and next motion pictures all the way through the ’90s.
